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Funny, Sad, Smart And Human: 'Reservation Dogs' Was An Ode To Individualism And Communal Life

From top left, clockwise: Deer Lady (Kaniehtiio Horn), Bear (D'Pharaoh Woon-A-Tai), Elora Danan (Devery Jacobs) and Spirit (Dallas Goldtooth). (Ross May / Los Angeles Times; photos by Shane Brown / FX; JC Olivera / Getty Images)

This article contains spoilers for Season 3 of "Reservation Dogs," including the finale.

This week brings us to the end of FX on Hulu's beautiful "Reservation Dogs," a comedy about Native American life that is checking out on its own terms after three seasons. Its teenage protagonists — Bear (D'Pharaoh Woon-A-Tai), Elora Danan (Devery Jacobs), Willie Jack (Paulina Alexis) and Cheese (Lane Factor) — drove the show, but it became increasingly the picture of a community in which "the elders," sometimes unrespectable but always respected, counted for as much: a rare idea in American television.

Co-created and executive produced by Sterlin Harjo (a member of the Seminole nation with Muscogee ancestry) and Taika Waititi (Maori on his father's side), it showcased not only brilliant Indigenous actors but writers and directors as well — including Jacobs, who wrote the series' superb penultimate episode, a two-hander in which Elora finally meets her father, played by Ethan Hawke. Let's hope it's not the last we see of them — that this is a beginning, not an end.

L.A. Times TV critics Lorraine Ali and Robert Lloyd shared some thoughts about a show they both loved.

Lorraine Ali: Flaming Flamers. Canned tuna bingo at the Indian Health Center. Socially challenged spirits offering unsolicited advice to the living. I will miss "Reservation Dogs," and how the show was able to wrap an Indigenous drama inside a dry comedy as it captured life on and around a rural Oklahoma reservation through the eyes of the folks who live there. Over its three seasons, the series did so many things well, from satirizing colonialist tropes about Indians, to honoring Native American traditions to illuminating the struggles and joys of life on the rez.

The Reservation Dogs' quest to leave for California after the suicide of their friend Daniel opened the first season, but it was clear there was far more to this show than just the desire to get away. They wanted to figure out who they were, with centuries of history and culture in tow. Do you go modern, or keep it "tradish"? They did a lot of both.

Read more: For two directors, 'Reservation Dogs' has been an incredible experience: 'There's so much humanity'

Robert Lloyd: There are so many things I cherish about this show; even before we got to know the characters, we got to know the place — the lovely east Oklahoma landscape, perhaps never photographed for television, and what people built on it, with neighborhoods and buildings that would be considered too ordinary, or distressed, or blandly institutional by the usual standards of the medium. That it's a series shot where it takes place — Harjo grew up nearby — rather than, say, some vaguely similar stretch of Canada — is invaluable. The show opens one's eyes — assuming you're not already from there, or familiar with it — to new sorts of beauty, and this is as true of the actors as of the land.

That grounding also allows for some well-integrated magic realism, and of the introduction of a spirit world that lives close by and looks and sounds and acts a lot like ours. The paranormal and mythological phenomena believed in by tribal police officer Big (Zahn McClarnon, who at least will be staying in view as the lead in AMC's "Dark Winds"), and for which he's initially mocked, turn out to be true — Bigfoot's real, as is Deer Lady (Kaniehtiio Horn), who gives Bear a ride as he's trying to make his way back home from the coast.

Ali: Season 3's "Deer Lady" episode was phenomenal. In exploring her origin story, they brought in the brutal legacy of Native American boarding schools. Indigenous kids were ripped from their families and thrown into these abusive, often deadly schools that sought to assimilate them. But "Reservation Dogs" reversed Hollywood's idea of "the other" by showing it from the Native perspective, so viewers understood what the brown kids were saying while their white captors spoke gibberish. It's a masterful moment, made possible by representation behind and in front of the camera.

The cast and creators also did a stellar job poking fun at the usual sanctimonious portrayals of Indigenous traditions and culture. I laughed out loud when the ghost of an ancestor appeared to a depressed Hokti (Lily Gladstone), Daniel's mother and Willie Jack's aunt, who's serving time in prison. "Your vibe sucks," says the spirit. "I walked the Trail of Tears and I smiled more than you." The star of all visitations, buckskin-clad, foulmouthed William "Spirit" Knifeman (Dallas Goldtooth), should be celebrated in the annals of television history as a singularly fantastic comedic character.

I also love how the series goes off on these seemingly random tangents, storywise and stylistically (one episode borrows from the film "Dazed and Confused," another from "Ocean's 11"), but eventually bring it all together, showing how everything, and everyone, is connected.

Read more: From Native American surf rock to the Rolling Stones: How 'Reservation Dogs' got its DIY sound

Lloyd: "Reservation Dogs'' reminded me of another great FX show, "Atlanta," in that respect, in the way it moved from what seemed like a traditionally focused narrative into stories that followed individual characters, and not just the four kids, but their parents and uncles and aunties, related by blood or community. (A word of praise here for soulful Sarah Podemski as Bear's mother, Rita.) The respect paid to older characters — from Cheese letting an old woman with dementia believe he's her grandson in Season 1 to Willie Jack's apprenticeship this season to medicine man Fixico (Richard Ray Whitman), and not ignoring that generation's own checkered past, really is remarkable and gratifying. Not to mention that it brought together a supergroup of older-generation Indigenous actors (including Gary Farmer, 70, Wes Studi, 75, and at last this season the great Graham Greene, 71) in one place — and even in the same shot. And it was exciting on some extra-textual level to watch them working with the younger actors — whose emotional truth can't be understated — as a mirror of the community they're embodying.

It's a mosaic approach that intimates that any person's story is part of something bigger, that the world extends beyond what sliver of it we're shown onscreen — even as the characters' own worlds opened up. And like "Atlanta," with which "Reservation Dogs" also shared an exquisite sense of place, the creators called time on a series that could certainly have continued, if critical respect and a devoted audience are anything to go by. I do have to say, as sad as I am to see these people go, I applaud the choice — the three-season arc seems right to me, as the series moved from concentrating on the Rez Dogs and their initial quest to a wider view, then bringing every character of note back for the finale, as the question of whether to leave home becomes a matter of determination, not desperation.

Read more: How the actors of 'Reservation Dogs' find themselves in their characters

Ali: I also respect "Reservation Dogs" for ending the show on its own timeline and terms. What else should we have expected from a show that was so uniquely independent in vision and execution? And the finale was the perfect sendoff. It centered on the death and burial of an elder, where everyone in the community showed up to send him off. Youth and elders argued about where to position the grave, aunties and nieces joked around in the kitchen. They were saying goodbye but they'd always be connected, no matter where their journeys might take them next, on or off the rez.

This story originally appeared in Los Angeles Times.

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Mom Influencers Getting Paid For Sharing Daily Family Life On Social Media

PHILADELPHIA (WPVI) -- If you're a mother on social media, you've probably come across on your feed "mom influencers" - women who put their family lives out there, creating content and getting paid for it. It's a world that is both fascinating and controversial.

Mom of three, Ann Do, has said goodbye to corporate America and hello to social media.

"My family videos, my entertainment videos, I think they're just funny and people can relate to them," she said. "I wanted to connect with others, and create a space that other moms can feel seen and supported."

Ann has nearly 275,000 followers on Instagram and she's cashing in making as much as $100,000 a year from paid promotions with brands like Target and Huggies.

But before you think about quitting your day job, she warns that being a mom influencer is work.

"It's a lot," she said. "My biggest challenge as a mom influencer is having that work life balance."

Ann says when the lines are blurred, maintaining a balance between work and family isn't easy.

Jo Piazza is also a mom of three and host of the podcast Under the Influence, which explores the world of mom influencers. She says many mom influencers make tens of thousands of dollars.

"But there is a subset of mom influencers who are making over a million dollars," she said.

Critics say mom influencers are exploiting their children.

"There's a lot of backlash against mom influencers," said Jo. "Kids don't understand the rules. They can't consent, there's no privacy, what will be done with these pictures later on."

A Pennsylvania lawmaker has introduced legislation aimed at preventing kids from being exploited on social media requiring, among other things, that parents set aside a portion of the earnings from this kind of content specifically for their kids.

Some critics also say mom influencers are bad for mothers, creating mom guilt or shame by making "mom life" seem too perfect or too pretty.

"I've talked to a lot of women who feel very badly after watching influencers," said Jo.

But Jo says perhaps critics should reframe their own lens.

"I think that when you realize this is not their regular lives, then we can enjoy them for what it is, which is content," she said.

You can also follow more authentic mom influencers like Ann who show the good, the bad and the funny.

"People want to see real stuff, real life," she said.

"These women want to work and they found a way to make that a reality while also being there for their family. And I think a lot of them are heroes for that," said Jo.

Ann is careful about what she shares and has advice for all parents: Don't share your kids' identifying information like their full names, birthdates and where they go to school.

Also, be mindful of what you're sharing. Think about how your kids will feel about the content when they're older. It's also a good idea to ask their permission before posting.

Jo just re-launched her podcast so you can listen to new episodes every week.

For more information:

Ann Do on Instagram

Ann Do's Blog

Jo Piazza on Instagram

Jo Piazza's Under the Influence Podcast on iHeart, Apple, Spotify

Pa. State Rep. Torren Ecker to introduce legislation regulating child influencers

Memorandum of Ecker's legislation

Dear Annie: Helpful Neighbor's Sarcastic Comments Aren't Funny

Dear Annie: We have this wonderfully helpful neighbor who is always willing to help folks in the neighborhood when needed and quite often does. The only problem is he masks his sarcasm and insults as jokes and everyone laughs. This is directed at everyone EVERY TIME we talk with him.

Honestly, I'm tired of his insults and don't quite know how to handle him anymore. Any suggestions would be very much appreciated. -- Tired of Being Insulted

Dear Tired: If one person says it, 10 think it. I would imagine that your fellow friends and neighbors are also fed up and uncomfortable by these comments.

The next time this man says something rude or off-color, call him out on it. It's possible he doesn't realize how what he thinks are jokes impact those around him. If he continues even after you've confronted him, limit your interactions with him. Perhaps a bit of distance will make him realize the seriousness of his words.

Send your questions for Annie Lane to dearannie@creators.Com.

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